August 23, 2010

Filed under: Competitive Shooting, Interviews — Tags: , — CTD Blogger @ 11:45 AM    Delicious Digg Reddit YahooBuzz

Randi Rogers is one of the younger pro-shooters on the circuit today, but don’t let her age fool you, she’s got well over a decade of experience. Randy has been shooting since the young age of 11, and started competing in Cowboy Action Shooting with her grandfather who was well known among CAS shooters. Randi took the time recently to talk to us about her background in the shooting sports and give us some valuable tips for anyone who wants to improve their game.

First of all congratulations on your recent win in Colorado, you managed to post a personal best on your way to winning High Lady at that match. Thanks!

You do a lot of work with the Junior shooters at these competitions, tell me a bit about how you got started doing that. Well, I actually started shooting as a Junior. I started when I was 11 years old and I’ve been in competition since then. I guess you could say I have a soft spot for Junior shooters because I’ve been there. Every time I see one I try to reach out to them and try to make them comfortable and give them any tips. I ask them if they have any questions and just try to keep the fire alive because I think that Junior shooters and female shooters are the future of our sport and we want to keep them around as much as possible.

Wow, 11 years old is pretty young to get started shooting. If I recall it was your grandparents who got you started shooting, is that right? Yeah, my grandfather is the one who taught me how to shoot and I actually started in Cowboy Action Shooting. I started there because he shot that at the time. We went out together and I got to spend a lot of time with my grandparents that I wouldn’t have normally. It shaped my life and I think made me a much better person.

The shooting sports provided quality bonding time with the adults in your life? Absolutely.

As you came up through the ranks you probably had some mentors, coaches, or role models you looked up to. I would have to say that the biggest mentor I ever had would be my grandfather. His name was Gene Pearcey, and his alias was “Evil Roy” and he coached every shot I shot for ten years. He made me the shooter I am today. After that I always paid attention to those female shooters, Julie Goloski at the time now Golob, Kay Mikulek. I’d see their pictures in the magazines and I just knew some day that that was what I wanted to do. Since then I’ve met so many great shooters, Dave Sevigny has been my teammate for several years and he’s given me so much help. He’s really made my learning process as I transitioned into a different style of shooting much easier and given me a lot. There have been so many people over the years it’s hard to name them all…

…but your grandfather stands out as the most infuential. Absolutely.

Did you move straight from Cowboy Action Shooting into Steel Challenge matches? Well, what happened is four years ago Glock was in the market for a new lady shooter. At the time I was the current Cowboy Action Ladies World Champion, and they heard my name from a couple of different sources so they came to me and said “We could use a new lady shooter, would you like the job?”

It was way too good of an opportunity to pass up, so I started shooting with Glock. I probably started most heavily in IDPA, but I now do IDPA, USPSA, Steel Challenge, Pro Am, and I currently also to NRA and Bianchi. I guess I started in IDPA but it was all kind of a whirlwind and there wasn’t a big time period between starting to do IDPA and doing other things.

Had you ever shot a Glock before that? I had, my grandfather owned a Glock for self protection among other things. He’d take me out and make sure that I knew how it worked, just in case we ever got in a situation where I might need it. I’d shot a Glock, and I really enjoyed it, but I’d never shot one in competition.

Do you carry one for concealed carry now? I do. I do carry for self defense, and I carry a Glock 19.

That’s a good sized gun for concealed carry. It is pretty big for concealed carry, but I just feel it’s got the best combination of size versus ammunition and power. I’ve always felt the most comfortable shooting it. It runs like a little sewing machine, I love it.

Do you shoot a Glock 34 or 35 in competition? I shoot both. I actually shoot a 34, a 35, and occasionally a 17, but I most often shoot the 34. The normal division that I compete in is Production, and for Production I think the G34 is just the perfect way to go.

It’s really soft shooting in comparison to the 35. It is very soft shooting, and in Production you aren’t penalized for shooting a smaller caliber. If you have a choice, I prefer the 9mm because it’s a little bit easier to shoot.

As long as you don’t have to worry about making power factor. Exactly.

Are you shooting the Generation 4 Glocks in competition yet? I have actually shot the Gen 4 G17. I shot it at the IDPA nationals where I won High Lady. It’s a great gun. I have pretty small hands, and while I’ve never had a problem with the standard size Glock but the Gen 4 just fits really well in my hands. The biggest thing I noticed when shooting it is that not only does it fit better in your hands but it puts your fingers closer to the controls so that the magazine release button and slide release button are much easier for me to shoot. I don’t have to shift my hand as much.

That’s pretty important to maintain a good grip. Absolutely, yeah.

Did you use any of the backstraps? I didn’t use a backstrap. I used the smallest version which is the frame with no backstrap. It felt fine, but I shot it before I went to the match with both backstraps just to see what it felt like, and I felt comfortable with both but the smallest was obviously best for me.

Let’s talk about training for a little bit. I like to get to know how various top level competitors such as yourself train and stay in shape. What does a typical week of training look like? I dry fire every day. I try to dry fire between 15 minutes and an hour, and I do everything dry fire that I would do live fire. I do draws, I do mag changes, and I do movement. Obviously the Glock doesn’t reset, but I kinda fake my way through shooting multiple shots.

Then for live fire I try to practice a minimum of twice a week on the range. I usually get out more like four or five [days a week]. Those practices range anywhere from a couple of hours to four hours. I can’t usually do more than four hours, especially in the Georgia heat. It’s a little bit much for me.

For round count, I practice anywhere from 300 rounds to 600-700. Steel eats up more ammo just because you have to shoot all of those shots. That’s just the way it works, you have to shoot more. If I’m practicing for USPSA or IDPA it’s usually a lower round count.

I try to do short drills and break things down into the basics because you can set up a stage and shoot it eight times and you’ll get better, but you won’t know where you’re getting better. I like to break things down into small pieces like draws, double taps, and small drills I can look at and see where I’m good and what I need to work on.

I also try to shoot local matches. You can’t reproduce match conditions in practice I don’t believe. I think local matches are really important so I try to shoot those whenever I’m in town.

Breaking it down into the base components seems like a pretty important principle that allows you to perfect each unique aspect before you string them all together into a complete stage. Yeah, a good analogy I always use is baseball. When you’re learning to play baseball, you don’t just go out and play baseball games. You practice hitting and pitching. When I practice for shooting, I don’t shoot stages, I practice draws and reloads and things like that.

Where do you find yourself spending the most time practicing? What are some areas that you focus on? One of the biggest things I’ve struggled with for a while is movement. I came from Cowboy Action Shooting where there’s not a lot of shooting on the move. That has been a challenge for me over the past years. I try to do drills where you start in one position, shoot a couple of rounds and then run five yards or ten yards and shoot another position. I often work on moving into and out of position, so I’ll set up barrels and walls and I’ll practice going into position and coming out of it. I’ll just try to learn where my limits are and make myself more comfortable with it.

Luckily your teammate Dave Sevigny is one of the best at transitions and movement. Absolutely, Dave is incredible when it comes to moving in and out of position. I watch him whenever I get the chance.

Many top shooters, Dave included, emphasize the importance of having the proper mind set going into a match. I think shooting is much more mental than it is physical. I would say probably 80% is mental preparedness. I think it’s very important to visualize the stage prior to shooting it. I think it is important to know what your sight picture is going to look like as well as the target layout, and be prepared so that when you walk up there it’s not foreign territory. You need to be as comfortable with it as if you’d already shot it. It’s important to look through the positions and visualize your movement so that you’re prepared when you get there.

It’s so difficult to keep that game plan however. I know I’ve stepped up to the line before and as soon as the buzzer goes off to signal the start, my mind blanks and the whole plan I had goes right out the window. I would say that, obviously, it starts with experience. The more you practice and the more you shoot the easier that will get. The other thing that I do is I visualize in great detail. I close my eyes and I see the targets, I see the wall, I see the reload going into the gun and so on.

I read something somewhere that if you visualize something in great detail that your mind doesn’t know that you haven’t done it. If you visualize shooting the stage in detail, you trick yourself into thinking that you’ve already shot it. That way, when you walk up there if something happens or goes wrong, you know you’re comfortable and you feel like you’ve already done it so it’s much easier to bounce back. Other than that, just train to stay calm.

That’s pretty important, staying calm. I know it’s hard not to panic when you throw a mike or drop a shot and try to rush to catch up. My grandfather nicknamed me “Ice” when I was a kid, because he just couldn’t get over how calm I was. If you just try to stay relaxed and remember your sight picture above all else. The more experience you have, the better it will be. That’s why I think it’s so important to shoot local matches. Even though I’ve been doing this for years, I still think that there are things I can learn. I know there are things I can learn. You can’t give up, you have to shoot all the time.

There are a lot of new shooters out there who read these interviews. What one piece of advice would you give a new shooter? The biggest piece of advice I can give a new shooter is really to just hit your targets. I see a lot of new shooters who go out there and try to push so fast, they want to be Rob Leatham or Todd Jarrett, then they come back with six mikes and they don’t understand why their score is so bad.

For all new shooters I would suggest that the most important thing is to get your hits. If you can hit the target, the speed will come as you get more comfortable. You just have to know how to hit the targets and know your limits.

You’ve even said in the past that while you like to go fast, you prefer to be accurate. I do, yeah. Going fast is fun, but being accurate pays off.

That’s a lot of great advice. I want to thank you for taking the time to talk with us, it’s been a pleasure. Absolutely! I’d also like to thank you for the interview. I appreciate that, and I’d just like to remind everyone to stay safe and have fun!

Randi lives in Smyrna Georgia where she works for Glock. When she’s not at the range, Randi enjoys hiking, biking, rafting, and the outdoors in general.

August 13, 2010

Filed under: Competitive Shooting, Interviews — Tags: , — CTD Blogger @ 12:39 PM    Delicious Digg Reddit YahooBuzz

Julie Goloski Golob began her shooting career at a young age under the careful tutelage of her father in upstate New York. Always a bit of a daddy’s girl, she soon took to the sport and began participating in matches. She has since rocketed to the top of the sport after proving herself on the US Army Shooting Team, and later again as a sponsored shooter. Julie has long been a role model for Junior Shooters and always takes time to talk to them and encourage their participation in the shooting sports.

We recently were able to interview Julie on her background in shooting as well as learn some tips and tricks for new shooters.

Photo by Yamil SuedYou began shooting with your dad when you were younger. Tell us a little about how that led you to begin shooting competitively. I started shooting at 14, but I can remember going to the range with Dad as a youngster. We had a lot of fun. I picked up brass, taped or helped him call shots with his spotting scope. By the time I was 10, I was working as a range officer with him at USPSA matches. Every August we worked the Miller Invitational. The Miller was one of the top matches on the circuit. Back then there were just a few major matches and all the top shooters came out. Seeing the pros every year and getting their autographs was very inspiring. On our way home from one of the Millers, I can remember telling my dad that’s what I wanted to do. When I turned 14, we both decided that I was ready to shoot my first match.

Sheila Brey used to shoot at the Pathfinder Fish and Game Club and was the first Master classed Ladies shooter. How did she influence your move into competitive shooting? Pathfinder was one of my home clubs in upstate New York. When Sheila shot at the monthly matches, she didn’t just win High Woman, she was in contention to win Overall. She worked very hard and the entire club was pulling for her to win nationals and make master. When she achieved master class it was very big news in our area. She was definitely one of my idols. I thought it was the coolest thing ever when she offered to take me to my first USPSA Nationals in 1994.

What prompted you to make the decision to join the Army? I had been competing all throughout high school. I met the Action Shooting Team’s coach at the 1994 Nationals and received a letter of acceptance to the Army Shooting Team. It was an opportunity of a lifetime that I just couldn’t pass up. The Army gave me a chance to achieve a goal – win a national title, pursue my education and gave me time to decide on a career. WIN-WIN-WIN

In 1999 you were named US Army Athlete Of The Year. How did that award affect your decision to push forward and go pro? Being named an Army Athlete of the Year is very special to me. I had an outstanding competition year and when I was told I had been submitted for review, that in itself was an honor. At the time the US Army Marksmanship Unit (AMU) was very Olympic driven. To have the AMU’s endorsement as a non-Olympic shooter was both a surprise and honor. Actually getting receiving the title, I felt like I needed to be pinched.

Athlete of the Year itself didn’t really have an affect on going Pro. In fact, I never even really thought about it. At that point I had some time left on my enlistment and I wanted to stay in to work on my degree. By 2002 though I didn’t feel I was getting the training time and support I needed and I was ready to get out to pursue other things. The chance to work and shoot for Glock popped up. I was happy to be back shooting and be a part of the industry. Then Smith & Wesson debuted the M&P and offered me a wonderful opportunity to both shoot and do what I love to do – promote the shooting sports.

Oddly enough, my first few year’s in the Army is really what I consider my “Pro Career” time. With Glock and now Smith & Wesson I have a “day job” that keeps me busy. I work in productive training hours, but those first 5 years in the Army, shooting was truly my job.

I’m constantly searching for a training regimen that works well. Give us an idea of what one week’s worth of training looks like for you. I train for specific events. In the off-season I set my goals for the season and establish my schedule. I train based on the matches that I will be shooting. My first major is always the Single Stack Nationals followed by Bianchi Cup and the International Revolver Championships. After that it’s Steel Challenge and USPSA Nationals. Some years are different based on World Championship events like this year’s Action Pistol World Championships.

With my work for Smith & Wesson and being a mom, my training is much more limited than it was when I was in the Army. I spend a lot more time analyzing the areas I need to work on and make sure I incorporate them into my training. The less time I have, the more I know I have to focus. I work to make every round count in practice. I try to get to the range 3-5 times during the week and shoot between 250 and 500 rounds per 2 hour session. The skills I focus on are specific for the event I am training for. For example, if I am training for Single Stack, I work on difficult target arrays, challenging set ups and lots and lots of reloads. I also know there will be an all steel stage and a standards so I make sure I spend time on working the skills needed to excel there.

How important is overall physical fitness such as weight training and cardio in competitive pistol shooting? Physical fitness is very important, especially as a female shooter. I certainly want to win the ladies category, but I also want to do well overall. I know that I am competing against men who have a lot more mass behind the gun, more upper body strength and bigger hands. Spending time in the gym helps me level the playing field. Right now I work out 6 days a week in doing yoga, running and CrossFit. The more I work out, the better I feel on race day.

If there was one thing you’d tell an aspiring shooter to focus on to shave a few seconds off their time, what would it be? One thing I would tell shooters to shave off time is to work on their non-shooting skills too. Competitors often think they need to shoot faster to be better. They rush their shots and that’s when the penalties rack up. Shoot only as fast as you can control the sights. Work on pushing when you move and how you move. Learning the most efficient way to move into a position, to shoot from it and how to exit can make a huge difference in what’s on the timer. Conservation of movement is critical in action shooting sports.

I love shooting, and I love competing in USPSA, IDPA, and 3-Gun, but it’s difficult to be able to afford the amount of ammunition I’d consume if I trained and competed as much as I’d like to. What advice do you have for shooters who want to train more, but can’t afford tons of ammunition? I hear you! It’s all about being smart on how you train and make your bullets count. Everyone is feeling the ammo crunch. Even shooters with the money to buy all the ammo they want and more have faced some challenges this year. Airsoft and .22 training are good options, but you also can’t beat dry firing. Work all the skills you can in dry fire and leave the shooting skills to the range.

You’ve achieved a lot in competitive shooting, becoming the only 5 division Ladies National Champ and the only Triple Crown Ladies National Champ. Tell me, what was it like to grow and develop over time until you became good enough to compete with, and beat, some of the all time greats like Sheila Brey and Kay Miculek? Thanks so much! I am very proud of all that I have been able to accomplish. I have been very fortunate to have had all the right opportunities pop up at the right time and some great role models. I have had so many wonderful shooters to look up to, both men and women – Rob Leatham, Todd Jarrett, Jerry Miculek, Doug Koenig, Kay, Sheila, Kippi Leatham, Sharon Zaffiro (Edington), to name a few. They were my idols growing up.

In my teens I wanted to be like a sponge and take in as much as I could. When I was in my 20’s and shooting for the Army, I shot Open almost exclusively (we didn’t have as many divisions back then). I was putting lots of rounds down range and I wanted to win and dominate. Later, when I started to shoot the other divisions like Production, Single Stack and Limited-10, there were so many things to learn. Being able to shoot different platforms has helped me to become a more well-rounded shooter.

What’s your favorite Smith & Wesson revolver, and why? That’s a tough one! I love my competition revolvers but I have to say my favorite is my J-Frame, S&W Model 442. It’s my carry gun and I know I can depend on it when I need to.

The shooting sports is often viewed as a traditional “males only” sport. How do you think we can help change this perception and bring more women into the world of competitive shooting? That’s something near and dear to my heart. The biggest thing we can do is to share our sport and change the mentality that guns are just for guys. Kippi Leatham, Sharyn Cohen and I founded WomenofUSPSA.com to celebrate the women of practical shooting. There are so many talented women who have paved the way and we have showcased many on the website. We congratulate the winners and commend our hard working volunteers through our blog, Facebook and Twitter. We hope that by featuring the diverse women who shoot the action shooting sports, we encourage others to give it a try. Let’s not be shy about sharing the sport and celebrating shooters!

You recently returned to competition after giving birth to a baby girl back in 2008. How has your new role as Mom affected your schedule and ability to train and travel? Being a mom is certainly my priority. The number of matches I compete in has drastically reduced and I don’t get to shoot many state or area championship. The matches on my schedule are world and national events with very few exceptions. As a mom, I have less time to train too. When I do get to shoot though, I give it 110%. I also strive to set realistic goals. Being a parent makes your realize that life happens. Sure, I want to win every competition I enter, but I also shoot because I love the challenge, setting goals and spending time with great people.

Do you plan on getting your child involved in the shooting sports when she gets older? I would love for my daughter to be a shooter. Both my husband I love hunting and shooting. I can only hope that she does too, but if she doesn’t, that’s ok too. Most of all we want her to know how important our 2nd Amendment rights are and to always defend them with her vote.

How do you respond to people who think that pistol shooting sports should be banned or made illegal, as has been done in the United Kingdom? I ask them to try shooting before they condemn it. Chances are if they have a great experience at the range, they forget their fears and become open to a fun and exciting sport. I am convinced there is a shooting sport out there everyone can love whether its breaking clays, running through action courses or tearing out an X-ring. The trick is getting them to give it a try.

Thanks for taking the time out of your incredibly busy schedule to answer a few questions. Is there anything else you’d like to add? Thanks so much for the opportunity to chat. I enjoy reading the interviews posted here. Thanks for promoting the shooting sports!

Julie Golob makes her home in Glasgow Montana with her husband and baby girl.

July 9, 2010

Filed under: Competitive Shooting, Guest Posts, Training — Tags: , , — CTD Blogger @ 5:47 PM    Delicious Digg Reddit YahooBuzz

Todays guest post is by Caleb Giddings from Gun Nuts Media. Caleb is the 2009 Indiana State IDPA champion, as well as a Steel Challenge Revolver Division Champion. We interviewed him some time ago and part of our discussion was on the topic of physical fitness, exercise, and the role it plays in helping top level shooters get and stay fast.

Today he’s giving more details on how to get in shape, stay in shape, and what exercises to help you shoot faster.

It’s no secret that I’m a fan of fitness. I often get asked “what exercises should do if I want to shoot better/faster?” The problem with that question is that the answer is different depending on your personal level of fitness, how much time you have to invest, and how hard you’re willing to work. For example, if you have an hour a day, six days a week to work out, then try Crossfit or P90x or one of the “extreme” fitness programs. Those are probably the best, because they’re total body workouts that build your athletic strength and functionality. I’d eschew “just” weight lifting, especially the way most people lift weights, which is “go to gym, do a set, sit for like 4 minutes, do another set, sit for like 4 or 5 minutes, get some water, do a set”.

But hey, a lot of people have lives and they don’t have an hour a day, six days a week. The most some people can do is come up with 20 minutes, 3 days a week. If that’s the time you have, make the most of it. Work out hard. Simplefit is a great program for that, as it consists of bodyweight exercises, the “perfect trio” of pull ups, push ups, and squats. If you can squeeze another 20 minutes out of one more day, add a little cardio. My very FAVORITE cardio exercise for the shooting sports? Shuttle runs. The bane of high school gym class for certain, but also a GREAT exercise for the shooting sports and for real life. Shuttle runs train the body to explode over short distances in “stop and go” sports like basketball, not unlike the short bursts of speed needed in USPSA…or running from an attacker.

Now, the great thing about firearms is that they provide equal footing in self defense. Before guns, if you weren’t strong and/or well-trained, it was much more difficult to defend yourself. Firearms allow Granny Goodness to equal the force presented by a mugger with a baseball bat, but they’re also not a panacea. Don’t toss that shiny new 1911 in your holster and saunter out thinking that you don’t need to train, both with the gun and without. A gun by itself is better than nothing, sure. A gun that’s backed up a user who has trained with the gun and trained their body as well? That’s a deadly combo.

About our Guest Blogger Caleb makes his home with his wife in Indiana where he is a competitive shooter. Caleb is an active blogger as well as the host of Gun Nuts Radio.

June 15, 2010

Filed under: Competitive Shooting, Interviews, People — Tags: , , — CTD Blogger @ 5:41 PM    Delicious Digg Reddit YahooBuzz

Caleb Giddings is a well known IDPA and USPSA shooter, and has made a name for himself with his performances shooting Enhanced Service Revolver in IDPA competition. He also runs a blog at Gun Nuts Media, and hosts a weekly podcast that is regularly downloaded by over 50,000 iTunes users. Recently he’s appeared as a contestant on the History Channel’s new show Top Shot. We had the chance to catch up with Caleb Giddings and sit down for an interview to discuss his role in the show and get some behind-the-scenes insights into the making of the series.

Cheaper Than Dirt: Hi Caleb, thanks for taking the time to talk with us. I know you’re very busy. You’re a cable TV star now on the History Channel, seen by millions of people once a week at night in their homes. Congratulations on making the show!

Caleb Giddings: Thank you.

I know we can’t talk a lot about because there are still episodes coming up, but tell me about the episodes that we’ve seen so far. You’ve kind of been in the background, but I think that’s probably a good thing since it means that you haven’t been put up for elimination yet.

Absolutely. You know, it’s funny, the first two episodes that you’ve seen, you don’t see a whole lot of Blue Team. The second episode you see a little more of Blue Team, the team that I was on, but I’m definitely in the background and I don’t have a problem with that because so far my television existence has consisted of me making two tough shots under competition, and generally not being the nail that stands out. And like I said, I’m okay with that.

There is a lot of content on History Channel’s website which is http://www.History.com/Shows/Top-Shot, a lot of behind the scenes stuff features Blue Team, and I’ve got actually a pretty good amount of screen time in the “Anatomy Of The Shot” series that they have where we break down Blue Team’s first two wins.

I actually had a chance to go on line and view those, and there is definitely some good content there.

You’ve got the Gun Nuts Media blog and your Podcast, obviously you’ve been around media for a while, and firearms as well. Was this just the perfect storm that you decided that you just had to apply for Top Shot? What was your motivation for going through the application process and taking 30 days off of work to go and try to do this? What prompted you to do all of that?

Well, what’s funny actually was that I got an email from Michael Bane who produces TV shows for Outdoor Channel and also is producing The Quest for Master Class for Downrange TV, he sent me an email of the press release from the production company that did Top Shot and said “Hey, what do you think of this? I think you should try out for it.” I will be 100% honest, my thought process at the time was “Oh yeah, that sounds cool.” I sent off the preliminary application which was essentially a blurb about “why I’m so great” along with some pictures and a video of me shooting a 6.5 second El Presidente drill. The casting crew called me back and we did the formal application process. I ended up in California for the interview and the next thing I knew they called me and said “Hey! We want you to come on the show.”

Did you ever actually expect that you’d get picked?

Actually, I never did. I never thought that I was going to be one of the guys that they would pick. My wife thought I was, which is funny because she’s the smart one. But I never really thought that I would be one of the final 16 contestants chosen out of literally thousands to make the cut for the show, and I was honored and a little humbled by it when I saw the assembled cast of characters.

How intimidating was it to show up there and see who you’re up against, to see Mike Seeklander and J.J. Racaza and some of the other competitors there? I mean, there are some serious names on the show, including USPSA Grand Masters. How intimidating was that and how did you deal with that?

Well, I will say it was nice to see that Blake and J.J. were going to be on my team. That definitely helped with the mental aspect of having to worry about them in terms of competition. You know, it’s an individual competition eventually and it always will come down to one on one. At the same time, after the first challenge, where we shot the World War II era rifles, and it wasn’t like anything that we were used to, and after subsequent challenges which you’ll see in upcoming episodes, I wasn’t worried about it anymore. What I realized was that I came to this show to compete in a shooting competition, to compete in a competition of my athleticism and my marksmanship skills, and that I would much rather stand up head-to-head against any one of these guys, whether it was Blake or J.J. or Iain, or any of the competitors on the show, and test my skills against them whether it was with a pistol or a tomahawk or a bow and arrow. That’s what I came there to do. I came to test myself against the best, and if the best aren’t there, what’s the point?

On some of the promo shots we saw you with a slingshot, and I know on one of the upcoming shows you’ll be shooting a bow and arrow. Did you have any indication going into the show that this would be more than just firearms?

We knew going in that it would be different. The last night before the show the producers had a meeting with us and said that they wanted to remind us that this wasn’t going to be like anything we had done before. This was their shooting competition that they had designed, and so it wasn’t going to be a USPSA match, or an archery match or a High Power rifle match. So, I think that helped us realize that this was going to be something unique.

And yet, we still saw some USPSA style stages like in the last episode with the Berettas they had the zip-line on the Iron Man inspired elimination match. Were you or some of the other competitors not up for elimination disappointed that you didn’t get to enjoy some of these stages?

You know, when we found out about the zip-line, I know I wanted to shoot it, but at the same time I was glad that I didn’t have to shoot it. It’s that battle, because we’re all competitors and we want to go out and compete and we want to win. We want to stand on the line, and just speaking for myself, I know that if I ever got called for an elimination challenge I wanted to stand on the line and take that opportunity to prove my skills. So yeah, I wanted to shoot it but I was also glad I didn’t.

I also have to say, I’m really glad I didn’t have to shoot 600 yard rifles against Kelly.

He definitely impressed a lot of the older shooters with his skills, I think he was dismissed early on. How did that change the dynamics when he came back the winner and Seeklander, who’s a very experienced High Power rifle shooter, got sent home?

I think the biggest change in the house dynamic was, after that we realized that this was going to be a head to head competition, and that it didn’t necessarily matter that J.J. was a USPSA Grand Master because I might throw a tomahawk better than he does, and it doesn’t matter that I was an IDPA Master Class shooter because Kelly shoots a better rifle than I do. That, I think, was what really cemented in our minds that anyone could win this competition. It wasn’t just going to come down to the USPSA Grand Masters or the law enforcement guys or the Marine Corps guys, that it really was anyone’s game.

So, going into this, did you do any special training?

Before the actual competition, I can’t say that I did. I did actually work out more. I knew that the competition was going to have a physical element. So, I actually spent a little bit more time on physical training and conditioning than I did on shooting. I actually ended up gaining some muscle before I went on the show so I felt pretty good during the show, I felt pretty strong. That was the bulk of my training before the show.

Many people have talked about the show, referring to it as “Survivor with guns.” Did you come in with any strategies for the social aspects of the game, such as for when it came time to vote someone into an elimination challenge? What were your social strategies for making friends, making alliances, and that sort of thing?

My social strategy in terms of making friends was to make friends with people I would have been friends with outside of the show. I ended up forming good friendships with Blake and J.J., just because they were guys my age and we had similar interests. That was kind of a natural relationship for me. As far as the Survivor-esque aspect of it, because of my personality and because of who I am I do have a distaste for the Survivor type politics. I won’t hide from that.

What I decided was that I would stick to the saying “You are only as good as your last performance.” If we ever got to an elimination challenge I would vote for people who did one of two things: who were either hurting our team dynamic and hurting our ability to win, or who had the poorest performance in that challenge. I wasn’t going to vote for people because I didn’t like them, or because they smelled bad, or because they drank the last drops of milk out of the fridge. To me it was always a shooting competition. And if I had a poor performance in a challenge and I got voted into an elimination challenge, I welcomed that as an opportunity to shoot my way out of it.

How were things behind the scenes? It seems like there was a lot of down time in between shooting stages. There’s so much going on there that we don’t get to see; tell me a bit about that.

As much as I can tell you, there is a lot of fun. You put 16 people in a house and you’re going to see personalities and you’re going to see shenanigans. For example, the dart league. They gave us a dart board as recreation, something to do in our down time. Problem was, nobody knew how to play darts. We didn’t know the rules for darts. So, we just took the dart board and decided we’d score it like a USPSA target, with the outer ring being a D hit worth 1 point, the inner ring was a C hit worth 3 points, and then the bulls eye was worth 5 points. We played a lot of darts. We even had the first official tournament the night of Mike’s elimination, and we called it the Mike Seeklander Memorial Dart Tournament. So, it was a real neat experience and showed the creativity of some people finding ways to amuse ourselves during the down time. A lot of fun was had.

One of the things you don’t really get to see on the show, unfortunately, that you only get a snippet of in the second episode, is when we hung up Mike’s jersey. I really wish they had spent more time on this in that episode. That wasn’t staged. That wasn’t something where the production staff told us as the contestants “oh yeah, go get his jersey and hang it up.” That was something that we came up with that we wanted to do to honor, not just Mike, but anyone else that would be eliminated from the show down the road. And you’re going to see that theme repeated, of the integrity and character of the people on the show throughout these upcoming episodes.

That’s one thing I found interesting about the show is that, shooters by and large are a very generous, kind, and upstanding lot. I’ve been to competitions where somebody had gun that had broken, and fellow shooter stepped forward to loan them their own gun, just so that they could compete and have a chance to beat them, or be beaten by them, fair and square. That seems to be a theme among the shooting sports I’ve noticed. How did that affect the drama and interpersonal conflict on the show? Do you feel that there was less drama and conflict on the show due to how upstanding most participants in the shooting sports are?

I will say that one of the things that I like about the show is that it does show that shooters are people. You’re going to see personality conflicts. I’m a normal guy, I get mad, I get in arguments with people, and I can make mistakes. You hear from gun control people all the time that “guns are dangerous and somebody with a gun is going to go crazy and kill people.”

But what is really interesting about the way we act is that, even on the show when tempers got high and when personality conflicts flared up, there was never any violence. It wasn’t like Ultimate Fighter where people were punching each other or throwing each other through walls. We understand that as angry as you get, violence is not the answer to a personality conflict.

Yeah, people get a little fired up. But the way that we conducted ourselves showed the character that we had.

And yet, the drama that was there still brought a mass appeal to the non-shooters in the audience. Talk to me about that. You do a lot of media, and I’m sure you have some motivation for bringing firearms into the mainstream and normalizing firearms once again. How do you think the show is going to affect that and what motivation did you have for that to participate in the show?

One of my biggest motivations for the show was to treat it as an extension of Gun Nuts Media. My mission statement with Gun Nuts Media has been to create a place where the shooting sports are like ESPN. That’s ultimately what I would like to see, USPSA coverage on ESPN, and part of my desire to go onto Top Shot was to take a step towards that goal. Because it’s presented in a Survivor-esque format of people living in a confined space, and the voting and the social and political aspect of it appeals to people, and yet they are still watching a shooting show. My liberal friends are now watching this shooting show, and they’re enjoying it partly because there are compelling people on this show.

We’ve only seen two episodes so far, but one thing that has struck me is that we haven’t seen any “evil black rifles” or iconic “assault rifles”, they have been mostly historical or widely accepted defensive weapons such as the Beretta 92F and the Mosin Nagant… Did the production staff make a conscious decision to leave out any potentially offensive rifles like that?

Well, I can talk about this because it’s actually in my bio video. If you watch my biography video on History.com/shows/top-shot you’ll see footage of me shooting an AR-15 rifle wearing my Blue Team uniform, so the AR definitely is going to make an appearance in an upcoming episode, and it’s a pretty cool challenge when we get to see that AR.

I don’t think History was shying away from anything for politically correct reasons. I think that their overarching concern was to make “cool” TV. They realized that lots of people, not necessarily in California, but lots of people have bought these rifles and it’s not a weapon of “mass destruction” for people who own them, it’s like a golf club. When you see that episode with the AR-15 I think people are going to be really pleased with how that episode is going to turn out.

Do you think the production staff or the History channel has a stance one way or the other on gun rights or how they portray it, or was this just TV for TV’s sake and they just happened to choose firearms as their venue?

I really believe that after working with the production staff, the people who were actually filming us and working us on a day to day basis, many of whom had never been exposed to firearms before and they came away from some of the experiences thinking guns are cool, which is a net win for us. I really believe that the idea behind this was that someone realized that guns are very popular, and they wanted to do a reality TV show and they were like: “Well, Survivor is cool, let’s do Survivor with guns.” And that’s actually a good thing, I think that’s a phenomenal step in the right direction for us when firearms are treated in the mainstream media as no different than anything else. When you turn on your TV and watch Top Shot and you see a challenge where people are shooting the standard service sidearm of the US Military through glass filled tubes, and that’s the challenge and that’s treated in the same light as people crawling through the mud and eating bugs on Survivor, I think that’s a good thing because that’s a mainstream acceptance of what we do.

Regardless of what anyone says about it being “Survivor With Guns”, that’s actually a great thing.

You can watch Caleb Giddings on new episodes of Top Shot every Sunday nights on the History Channel at 10pm Eastern, 9pm Central.

June 9, 2010

Filed under: Competitive Shooting, Interviews, People — Tags: , , — CTD Blogger @ 1:08 PM    Delicious Digg Reddit YahooBuzz

She’s only 13 years old, but she’s one of the fastest shooters on the circuit. I first ran into “Millisecond Molly” at the annual Gun Blogger Rendezvous in Reno Nevada where we had a small Steel Challenge match. To say this young woman is fast would be an understatement: she blew us all away! When she finished shooting the first stage, “Smoke and Hope” I’m pretty sure every competitor there was speechless. We just couldn’t believe how fast she was! Molly Smith may be the youngest shooter on Team Smith & Wesson, but she’s no slouch. She easily holds her own in Ladies class competition against the likes of Julie Golob, Kay Miculek, and Annette Aysen.

After seeing her performance on the range, I had the chance to get to know Molly a little better and asked her if she’d let us do an interview with her to get some insights into competitive shooting from the perspective of a Junior shooter. Despite her busy schedule filled with school and competitions, she found the time to sit down with us and answer a few questions.

Cheaper Than Dirt: I know you’ve got a busy schedule, but I wanted to thank you for taking the time to answer some questions for us.

Molly: Yes, I have been out of school for two weeks and have already shot two major matches in that time, the Bianchi Cup and the IRC. Both were great! It promises to be a fun and exciting summer.

How did you get into shooting?

When I was a lot younger, I always wanted to play air soft guns with my brother and his friends; there were no girls on my street to play with so I worked really hard to keep up with the boys. About 2 years ago, I went the SLOSA range with my dad and brother. Honestly, I didn’t even want to be there, but I tagged along. We went to the rifle range, and there I met a really nice man who became my friend, Jeff. He was the RO at the time, and as a greeting, he teased me, saying that I would not be able to shoot. So I took his challenge and he let me borrow a rifle and I shot, and shot, and shot some more. I was hooked. I met other people at the range who wanted to teach me how to shoot better and I learned. Even now, I try hard to listen to what people want to teach me about shooting. Not everything works but I’m always interested in learning ways to improve my skill. Besides, I hear the funniest shooting stories!

What do your non-shooting friends think about you shooting competitively?

My non-shooting friends actually like that I shoot competitively. Many of their parents have asked me to show them how to shoot. My friends and even my principal and teachers are interested in my competitions; sometimes they come and watch me. I have been blessed to have so much support with this sport. I can honestly say that no one has ever been negative towards me about shooting competitively, and that is a really good thing. I think that any negative thoughts stopped in their mind when they realize that I am a young girl who’s doing what she loves.


Photo by Dave Wilson

Is there any one person in particular who you look up to as a shooter? Who are your shooting heroes?

Julie Golob is a role model for all women in this sport. She is always a lady. I like that. She always has a smile and a kind word for and about everyone. I met Vera Koo about a year ago and she is amazing; I think that she is a hero for all women shooters too. Hard to believe that as beautiful as she is, she’s a grandmother! 20 plus years ago, she started shooting. Her children were grown and she decided that she would like to learn how to shoot. Her perseverance in a sport that was, back then, not a typical sport for women, was incredible and she became a champion! Everyone admires her. She is so focused and exact when she shoots. And then there is Annette Aysen. I have known her nearly from the very first time I ever shot. She didn’t know me but I watched her shoot the 1st year she won the IRC, and I was so impressed, she seemed to float through the stages, she is an amazing shooter with a limited revolver (hmmmmm…guess what I shoot? A limited revolver!) And then there is Yamil Sued. He is a shooter and his also a photographer! He takes awesome pictures, he is not afraid to get dirty or sore muscles, (I’ve seen him in some pretty strange positions). He shoots really, really well and he has fun. I think, he has more fun than any shooter I have ever met. He just suggested this past weekend that I learn the “hand jive” dance from Grease… I guess my “happy dance” was getting old. Well, his enjoyment of the sport, the people and his art makes me happy every time I see him. That is a role model for sure.

What’s the best thing about shooting for Smith & Wesson?

Hmmmmm, lots of things, did you know if you turn the Smith & Wesson emblem upside down you have my initials? Ahhhh… serendipity! I like the history of S&W, they have been around since 1852, back then Mr. “Horace” (great name) Smith and Mr. Wesson started a company producing a lever action pistols they called their company the Volcanic Repeating Arms Company (another great name), a few years later they became Smith & Wesson. I personally feel great pride when I wear their shirt because of their long history, their superior product and their extremely generous support for all types of shooting events. Also, all the people from Smith & Wesson that I’ve met so far have been extremely nice and generous to me! It really makes me feel like I’ve been adopted by the Team S&W Family!

Is there a Steel Challenge stage that you really enjoy? What about one that you dislike, or that is particularly difficult?

“Outer Limits” is my favorite and most disliked stage of all. I am not very big and it takes me a lot of steps that are coordinated to get to the other box. My rhythm needs some work. Jim O’Young taught me how to do the “Moon walk” in his front yard no less and hoping I would get some rhythm. It helped, I have steadily seen my scores on “Outer Limits” get better and better.

As a young woman shooter, do you ever get hassled by the boys? (and what does it feel like to beat them all?!)

I don’t get hassled by the boys, all the boys that I have met have been really nice. I get hassled by the adults (in a good way) they laugh when I beat them, but it is all good hearted. The worst is when the adults think I’m a boy. With my big hat on and the glasses you really can’t see my face. I have been called “son” a few times!!! I don’t like that. But more than being mistaken for a boy, the boys and men treat me like their little sister! Even the few who do mistake me for a boy are still incredibly nice! I love it!

What’s your take on the shooting industry incorporating a lot of pink into their products to market towards women? Would you own a pink gun?

Yes! And I do own a pink gun…I have an incredible Tactical Solutions Big Pink X-ring! I think by making products in more appealing colors it will draw interest in the sport. Women and kids can see themselves holding the colorful “sporting implements” and realize it is not an all “Gun Metal Grey”-boring sport. Colorful guns for colorful people.

Besides shooting, what are your other hobbies?

I like to read, write stories, run cross country, and spend time with my friends…regular kid stuff.

In the future, where do you see yourself going in terms of a career and how do you see your involvement in the shooting sports affecting this?

Right now, I have such wonderful opportunities to meet people from all over, all types of professions and people that don’t shoot but are involved with the shooting industry and those that shoot too. I think it’s interesting to see such a variety in the shooter’s career choices. Did you know that my dentist frequently RO’s the matches I participate in? That was pretty weird at first. I know I want to go to college and have given my future a great deal of thought. Something in the shooting industry, maybe a journalist or a reporter. The medical field also seems pretty interesting, considering that I’m the “daughter of a nurse”. I would love to be able to talk to people and educate them about what they are seeing and feel that my enthusiasm for the sport would reflect the sport well. I think that would be a nice career!

How do you think we as a shooting community can encourage other young women (and men) to become involved in the shooting sports?

With any sport there is always the opportunity to convert those who have never had an interest in it prior. This is very true for shooting. I live in California, (where gun-fear seems to be really big) but I have always been around guns. I was not taught to be afraid of them, many people (men and women) are simply afraid of them. They are afraid to hold them, to pull the trigger. Wouldn’t it be fun to have a “Welcome To Shooting” class start out by giving them simple gun parts and have them build a gun? I know my mom would tell you that matches should cater more to the children. A cool break room with cookies and milk, nutritious snacks is what she would say. And that’s really important! We need the “soccer moms” in the shooting community, because if you think about it, with any sport with kids, there’s always the support of their parents behind the scenes.

You’re very inspiring to young women everywhere – if you could tell them one thing, what would it be?

I would stress that this sport is safe. It’s really safe! Holding a gun can be very intimidating at first, if you learn from the start about gun safety the fear goes away, and then you can be confident. Learn to safely handle a firearm, that’s the most important thing, then you can have fun!
This is what I do a lot of times when women and children come and watch me shoot. It seems that they always say how hard it would be to hold a gun because their hands are so small…that is an old excuse. I chuckle and hold my hand up to theirs, I have very tiny mitts! 3rd graders have bigger hands than mine and I do just fine holding my revolver. Once they see my hands they begin to make a connection that if I can do it, they can do it too!

Molly is a member of the Smith & Wesson shooting team. She lives in California with her parents who help her compete in major matches across the nation. Be sure to check out her blog, The Molly Minute, for more information, photos, and videos.

April 29, 2010

Filed under: Competitive Shooting, How To — Tags: , — CTD Blogger @ 4:08 PM    Delicious Digg Reddit YahooBuzz

In the past few weeks, we’ve gone over how to sight in your bolt action rifle, and discussed how to navigate wind and mirage. After practice at the range, you’re probably getting pretty confident in your ability to place rounds in the X ring at various distances and may be considering entering a High Power, F Class, or other long range rifle match. How do you apply these concepts under the pressure of competition and the time constraints when it’s your turn on the firing line?


Windsock image courtesy Elizabeth/Table4Five, licensed under Creative Commons

To start with, relax. It’s normal to have “competition jitters” at your first match, but take a few deep breaths and try to relax. Talk to other competitors and ask questions. Most long range shooters are more than willing to help newcomers, and you’ll be amazed at the amount of knowledge you can pick up from an experienced rifleman. Don’t hesitate to confirm your wind and mirage observations with your fellow shooters. Target shooters are a friendly bunch, and most won’t hesitate to give you their opinion on the methods they use to measure and compensate for wind and mirage.

From the moment you arrive at the range, begin observing the prevailing atmospheric conditions. Once your squad is called to the line, set up your equipment and immediately start analyzing the wind and mirage. You may not be able to use your scope prior to assuming your firing position, but you can observe wind flags for clues about wind speed and direction. Make a decision about what the prevailing conditions are and how you will initially adjust your sights or scope. This initial observation shouldn’t be set in stone; wind conditions can and do change and you may need to further adjust your windage after firing your sighter rounds.

Some novice shooters try to take their shots during lulls in the wind. Keep in mind that wind conditions can change rapidly. This rookie mistake relies on the shooters ability to get every shot fired during identical conditions, a nearly impossible task. Accept the wind and mirage for what they are and instead determine what speed and direction is the predominant condition, then bracket the conditions by firing your sighter rounds and noting the maximum and minimum drift. After adjusting for the average drift, fire your rounds for record by targeting the windward side of the X ring. High power rifle 10 rings are 2 MOA in diameter. By bracketing the conditions and adjusting your scope or sights for the for the average wind speed and mirage, you should be able to fire all of your rounds at the windward side of the 10 ring with confidence that most rounds will land in the 9, 10, or X ring (assuming you can shoot a 1 MOA group of course). For example, with a wind blowing 5 – 10 mph from left to right, depending on the cartridge you are firing, you might adjust your aim 4 MOA to the left. This splits the difference between the 2 – 6 MOA the wind will move your bullet, so that when the wind gusts it will simply move your bullet from the windward side of the 10-ring to the leeward side.

In some cases, the wind changes direction frequently, at times blowing left to right and at others right to left. The key to shooting well in these conditions is consistency. If you are set up for a left to right breeze and it keeps switching right to left, simply be patient and shoot what you’re setup for. This is where your consistent observation of the wind conditions prior to approaching the firing lines comes in. You will need to be able to identify an inconsistent wind that changes direction frequently versus a wholesale change in wind direction.

When shooting during slow fire, use a notebook to record the wind conditions and any adjustment or hold and mark the impact of each shot on a sketch of your target. You’ll have plenty of time during these slow fire stages to determine how the wind is affecting your trajectory and how well your windage adjustments are compensating for drift. During competition, keep an eye on the upwind indicators; flags, trees, grass, etc. These upwind indicators will give you a few seconds warning of changes to wind speed and direction. Any significant change from the wind and mirage conditions that you have already compensated for may result in a shot flying wide, so if possible wait to see if the change is just a temporary shift or if it is a prolonged change of the prevailing conditions.

During high power rapid fire stages you will only get two opportunities to compensate for changing wind conditions: once before your string of fire and once during the reload. Some shooters prefer to use holdover rather than take the time to adjust for a slight change in wind speed or direction. While it helps you maintain a better sight picture if you adjust your windage rather than hold, the risk of throwing your string off target can outweigh the benefits during rapid fire stages. Unless there is a dramatic change in the wind, it’s far better to stick with your bracket and shoot the “safe” side of the 10 ring.

If the wind is fitful, changing direction and speed between your firing position and the target, give the most value to the wind closest to your target. Your bullet is traveling the slowest in the last couple of hundred yards before your target, which gives the wind the most time to affect its trajectory. A .223 bullet takes only 1/10th of a second to travel the first 100 yards of a 600 yard shot, but takes three times as long to travel the last 100 yards. this gives the wind near the target three times as much effect as the wind near the firing line.

Being able to accurately read and compensate for the wind is an important skill, but at the end of the day, there is no replacement for practice. Some shooters spend hours hand loading match ammunition, trying to squeeze the last 1/4 MOA out of their favored cartridge. Instead of fretting over the accuracy of your ammunition, that time would be better spent behind the rifle getting trigger time. In almost every case the rifle and ammunition are far more accurate than the person pulling the trigger. It does you no good to have a rifle and ammunition that can shoot a 1/4 MOA group if you can’t keep it within 1 MOA shooting off hand. Shooting full power loads for practice can get expensive, but there are alternatives. If your local range doesn’t have targets farther than 100 yards you can still get good practice reading wind with a .22 rifle at distances from 50 to 100 yards. Even setting up a small pellet rifle range in your basement will result in improved match scores by giving you more experience obtaining a good sight picture. By focusing on your basic marksmanship skills rather than your equipment, you will be better able to shoot in a variety of wind conditions.

April 27, 2010

Filed under: Competitive Shooting, Guest Posts, How To, Optics — Tags: , , , — CTD Blogger @ 3:03 PM    Delicious Digg Reddit YahooBuzz

Blogger Curtis Stone from Captain of a Crew of One made some recent comments concerning our recently published article on Reading Wind and Mirage. He mentions the fact that wind will more greatly affect the trajectory of bullets as they continue down range.

One thing they weren’t very clear about: Wind effects on bullets over varying distances is not linear because the flight times are not linear.

Due to the drag of the atmosphere through which the bullet is traveling, the velocity of a bullet is constantly decreasing throughout its flight.

Therefore, on a 600 yard shot, the bullet is moving faster during the first 100 yards of travel than during the final 100 yards. Because it takes longer for the bullet to travel that last 100 yards than it does the first, the wind has a longer time to act upon the bullet’s path during the final 100 yards.

This is especially true under strong wind conditions.

What that means is you can’t just take your 100 yard correction for the prevailing winds and multiply by 6 to get an accurate 600 yard correction.

Curtis is absolutely right. We weren’t very clear on this topic in our earlier article, but there is a very good reason we multiply by wind speed and not distance in the examples we use. The effect of a full value wind increases as the bullet slows down. This is part of the reason why it is important to have a chart that calculates the drift at a given distance.

You can multiply by the wind speed, but you can’t multiply by the distance. For example, a 5 mph breeze might move a .223 bullet only a half inch at 100 yards. But you cannot multiply that by 6 to get 3 inches at 600 yards. That same 5 mph breeze will blow our little .223 round more than 45 inches at 600 yards. How much of a difference does that make? Curtis breaks it down in his example:

Using the match ammo that I generally prefer: 77gr Sierra Match King HPBT at 2750 fps at the muzzle, the correction for a “full value” 20mph wind at 100 yards is 1.75moa. If I just multiply by six, I get 10.5moa correction at 600 yards. In reality the correction at 600 yards should be 14.5moa. If I just tried to multiply the 100 yard correction by 6, my point of impact at 600 yards would be off by a full 4 minutes of angle or 24″. That would take a perfect center “X” hit out to the 6 ring on a standard NRA target. If you were shooting for a bad guy at that range, it would mean a clean miss…unless the bad guy was unusually hefty in which case you might wing him. [Emphasis ours]

The best way to prepare to compensate for wind at varying distances is to have the drift for your load already calculated for various distances (I like to use 50 yard increments) with a 1 mph breeze. In this manner, all you’ll need to do is select the appropriate distance, note the drift for a 1mph wind, and multiply by your measured wind speed and value.

This gets more complicated if you have wind breaks or shifting winds. Camp Swift, for example, is notoriously difficult to shoot due to the sometimes inconsistent and shifting winds there. You may have a 5 mph wind blowing one way near the shooting line, and an 8 mph wind blowing the opposite direction near the target. This seems like impossible conditions, but once you realize that it is the wind speed and direction in the final 200 yards leading up to your target that will have the greatest effect on your round, it’s not difficult to dial in your wind dope.

We’ll have more on this topic later when we address reading wind and mirage during rifle competitions.

April 21, 2010

Filed under: Competitive Shooting, How To, Optics — Tags: , , — CTD Blogger @ 4:40 PM    Delicious Digg Reddit YahooBuzz

Last week we discussed how to bore sight and zero your scoped bolt action rifle. In that article, we touched on reading or “doping” the wind, as well as reading mirage. Reading wind and mirage is sometimes mentioned in the same breath as black magic and astrology. But taking cues from the wind and mirage is not so much hocus-pocus. There are some simple techniques for accurately reading the wind and mirage that you can use to determine how these conditions will affect your point of impact.

There are two primary atmospheric conditions that can affect the point of impact of your fired round. The first, and most obvious, is the wind. The wind pushes your bullet as it flies downrange, changing the point of impact. Mirage on the other hand can cause your target to appear blurry and distorted, or even have it appear to be where it is not, such that firing at the apparent image of your target will result in your bullet hitting somewhere other than the intended point of impact. Compensating for wind is fairly easy, even for novice shooters. Mirage on the other hand can be a bit tricky. Almost everyone has seen a mirage before. Look out across a blacktop road on a hot summer day and you’ll see the watery mirage caused by hot air rising off of the sun baked asphalt. This same phenomenon can plague shooters who are engaging targets at long-ranges, even on overcast or mild days. Mirage is caused by differing air densities between the shooter and the target. For an easy example of what mirage does, examine a spoon setting in a tall clear glass of water. When you look at the spoon, you will notice that the handle above the water appears to be in a different place than the handle below the water. This is caused by light being bent as it passes through the boundary between the denser water and the less dense air. In much the same fashion, light reflected off of your target is bent as it passes between dense cool air and less dense hot air. Still, mirage can be your friend, as we’ll discuss later you can use the mirage to your advantage by reading it to get very accurate wind speed estimations.

Wind

The first step in negotiating atmospheric conditions is knowing the wind direction and how much value to assign it. Assessing the direction of the wind is a fairly easy task. Wind flags are used at most long range rifle competitions, and are generally a permanent fixture at established rifle ranges. If your range doesn’t have wind flags you can make some easily and inexpensively using some wooden stakes and fluorescent orange engineers tape. The most basic measurement that a flag is good for is determining actual wind direction. This essential measurement will help you to determine what value to give to the wind; full, three quarters, half, or no value. Wind direction is determined relative to the shooter’s position using the clock face method, or using the angle measured in degrees. When the wind is blowing at 90 degrees (3 o’clock) or 270 degrees (9 o’clock) relative to your shooting position, we assign it a full value of 1. Wind blowing at 45 degrees, 135 degrees, 225 degrees, or 315 degrees relative to your position is given three quarters value. When the wind is blowing at 0 degrees or 180 degrees (12 o’clock or 6 o’clock) relative to your position it is disregarded and given no value. See the diagram to the right for more details on assigning wind value.

Some shooters try to compensate for bullet drop or rise caused by the wind blowing directly away or directly towards the target. In this writer’s opinion, a head or tail wind simply will not affect the bullet flight enough to warrant compensating for. Yes, it is true that a bullet fired into a head wind will drop due to additional aerodynamic drag, but the amount it will drop is almost negligible. At 600 yards, a 150 grain .30-06 bullet will only drop by a half-inch with a 10 mph head wind, a margin of error so small it must be measured in hundredths of a minute of angle (for those doing the math, that’s 1/12th or 0.083 MOA). Only a handful of the most accurate shooters in the world can shoot well enough to be bothered compensating for that small of a drop. If you’re reading this you’re probably not one of them, so don’t worry about it.

Once wind direction and value is determined, it’s time to measure or estimate the wind speed. An anemometer is probably the most accurate device for measuring wind speed, but there are other methods that you can learn. If you find yourself without an anemometer, you can use the guidelines set forth in the Service Rifle Pamphlet produced in 1931 by the US Army Infantry Team. While the information is old, the guideline is as valid today as it was 79 years ago.

0-3 mph Wind hardly felt, but smoke drifts
3-5 mph Wind felt lightly on the face
5-8 mph Leaves are kept in constant movement
8-12 mph Raises dust and loose paper
12-15 mph Causes small trees to sway

Flags can also be used as a rough estimate of wind speed. When observing a normal rectangular flag, estimate the angle between the flag and the pole and divide that number by 4 to get the approximate wind speed. For example, if a flag is flying straight out at a 90 degree angle, the approximate wind speed is 22.5 mph or greater (90/4). If the flag is limp and flapping in a breeze at a 45 degree angle to the pole, the approximate wind speed is 11 to 12 mph. This same estimation method can also be used for streamers and pennants.

As important as knowing how to read the wind is knowing your cartridge and how your load will be affected by various wind speeds. Many novice shooters simply do not understand, or do not believe, how much of an effect a cross wind can have on even the speediest of bullets. Consider a 55 grain .223 round fired down range at over 3,250 FPS for example. With only a modest 5mph cross wind that little .223 bullet will be pushed over 1/2″ off target at only 100 yards. While that might not seem like much, consider that a 10mph wind will result in the same round being pushed more than 1 MOA at any range. Experienced shooters, having been frustrated by wind before, often have the opposite problem and tend to overestimate the effect wind will have on their bullet.

All bullets have a ballistic coefficient that is usually computed by the manufacturer. This number, combined with the flight time of the bullet, can help you determine how much your bullet will be affected by a given wind. By combining the wind direction and value, speed, flight time and the ballistic coefficient of your bullet, you can determine how much to hold over or how much to adjust the windage on your sights. Because of the fact that bullets with differing ballistic coefficients are affected to differing degrees by the wind, there is no hard and fast rule for calculating wind drift. I won’t get into the mathematics of computing wind drift using the ballistic coefficient and flight time of your bullet; wind drift charts and calculators are readily available for almost every cartridge load. Use a wind drift chart for your specific load to determine how much holdover or windage adjustment is necessary.

With the information from the appropriate wind drift chart, apply the wind value to determine the actual drift. For example: Our chart shows that M2 match ammunition for an M1 Garand from American Eagle will drift approximately 5.8 inches at 600 yards with a full value wind at 1 mph. If we actually have a 10 mph wind blowing in at a 45 degree angle (1:30 o’clock) we assign it a value of 3/4 and do the math (5.8 inches X 10 mph X .75) to arrive at 43.5 inches of drift. If the wind shifts to be 30 degrees (1 o’clock) we would assign it a value of 1/2, resulting in 29 inches of drift. Doing the math, we correct approximately 5 MOA for wind at 1/2 value and 6.9 MOA for 3/4 value.


Example of a mirage created by a hot blacktop road; image courtesy of BrentDanley licensed under Creative Commons.

Mirage

Hot air rising up from ground that is warmed by the sun distorts the image of your target, causing it to appear blurry, or even appear to be in a location that it actually is not. This is referred to as mirage. To some degree, heat from the barrel of your rifle can also affect your target image. Eliminating mirage from barrel heat is relatively easy. Many benchrest shooters use extended scope tubes so that the hot air rises around the line of sight, eliminating any blurriness caused by the hot air. Another way to divert the hot air is to tape a light colored piece of cardboard or paper along the top of your barrel.

Mirage caused by hot ground baking in the sun is not possible to eliminate, but it can be understood and worked around. Like the spoon in a glass of water, mirage can cause the image of your target to be higher or lower, but luckily this shift is generally not significant enough to need compensation. For the most part, mirage is only problematic due to the blurriness it imparts to your sight picture. It is in this case that the wind can sometimes be your friend. When looking through your scope across a hot field in calm air the mirage appears to be “boiling” as if peering at your target through a puddle of water. When the wind is blowing however, the mirage will “follow” the wind, in some cases blowing away so that you can get a clear sight picture. Of course, as we mentioned in the section above, you will still need to compensate for the wind. That is where “reading” the mirage comes in. When observing mirage, it often appears as waves running in the direction of the wind. Many people find that reading mirage in this fashion gives a very accurate indication of wind speed. You can actually watch the waves from the mirage as they follow the wind, and estimate the actual wind speed from the speed of the waves.

Reading the mirage in this fashion can be difficult with a headwind or tailwind as those wind conditions can cause the mirage to appear be “boiling” when in actuality it is running with the wind directly away from or towards you. As we stated above however, headwinds and tailwinds generally have only a minimal effect on the overall bullet rise or drop, and for all but the most skilled shooters can be disregarded. Some shooters will even adjust for a boiling mirage in calm conditions as the hot air rising off of the ground can impart a small amount of lift or rise to the bullet. Again, for all but the most skilled shooters this adjustment is not necessary. Any lift from hot air is easily and quickly negated by the force of gravity tugging the bullet downwards at 32 feet per second squared.

When reading mirage to get an idea of wind speed and direction it is important to remember that the mirage you are seeing through your scope is only the first couple of feet in front of your target, as that is the only area that is in focus. The mirage existing the rest of the distance between you and the target is not visible because it is outside the shallow depth of field of your scope. To increase your depth of field, you can narrow the aperture of your scope by placing a lens cover with a tiny hole punched in the middle, effectively stopping down your scope and increasing your depth of field to near infinity. Another method for reducing your aperture size is taping over the objective until there is a small hole between 1/8″ and 1/2″ in diameter. Increasing your field depth in this manner allows you to see shifting winds indicted by the mirage over the total distance between you and the target.

An alternative to this is to change the focus of your scope so that the middle of the distance between you and the target is in focus. By examining the mirage over the total distance between you and the target, small variations in wind direction and speed can be noted and accommodated. While unusual, it is possible to have eddies and even countervailing winds between your firing position and the target. These variances in wind speed and direction will be easy to pick up with a bit of practice studying the mirage at varying distances between you and your target.

Practice Negotiating Wind and Mirage

It is difficult to explain the visual differences between a boil, a mirage running away, or a mirage running towards you. Wind drift is a simple concept to grasp, but it still takes practice to know just how much your particular load will drift. There is really no substitute for actual time spent on the range practicing. You will need to train and practice in order to properly read wind and mirage. On a hot sunny day when the wind is blowing, observe the effect this has on your mirage. With a rifle and scope that have already been zeroed in optimal conditions, take aim at the center of your target and call your shot. Sketch the target in your shooting log and mark the area where you called your shot. When marking your target sketch, be sure to make a note of the conditions in as much detail as possible. Once the range is cold, check your target and compare the point of impact to the called shot on your sketch. Note the differences between the point of aim and the point of impact that the atmospheric conditions have caused. By examining the conditions and the difference between your point of aim and the actual point of impact, you can learn how to best accommodate those situations.

At this point, do not adjust your scope to compensate for the wind or mirage. Instead, hold over the appropriate amount to bring your point of impact to the bullseye of your target. Changing atmospheric conditions can cause you to “chase the wind”, adjusting your scope for conditions that may vary from shot to shot. Take aim at the center of the target. Again, call your shot, mark your target sketch and note where the round actually impacted your target, as well as the observed conditions at the moment of the shot. Repeat this procedure and continue to record information. By taking good notes, you will be able to review your information while not at the range and possibly see things that you might otherwise miss while sitting at the bench.

Repeat this procedure for differing conditions whenever possible. The more information you have, the more you will know how to adjust your point of aim for various conditions.

As with most things in life, there is no replacement for experience when it comes to reading wind and mirage. No amount of explanation can substitute for sitting at a bench and observing how differing atmospheric conditions affect the flight of your bullet. Take what you’ve learned, head out to the range, and see for yourself how long range rifle shooting is affected by wind and mirage. Every range is different and has its own peculiarities, so talk to other shooters and see what you can learn from them about handling wind and mirage.

Keep an eye out next week for our article on compensating for wind and mirage in rifle competitions, where we’ll discuss the tips and tricks used by the pros to keep all of their shots in the X ring under even the most demanding atmospheric conditions.

February 19, 2010

Filed under: Competitive Shooting, Guest Posts — Tags: , — CTD Blogger @ 1:20 PM    Delicious Digg Reddit YahooBuzz

Todays guest post is by Caleb Giddings from Gun Nuts Media. Caleb is the 2009 Indiana State IDPA champion, as well as a Steel Challenge Revolver Division Champion. Caleb replies to a reader email on improving his times in the revolver class in USPSA competitive shooting.

A reader emails: “Caleb, I shoot revolver in USPSA and I’m looking for a way to improve my times.  What should I practice to get faster?”

The one word answer to your question is this: reloading.  Shooting a revolver in USPSA isn’t like anything else, because you’re limited to 6 shots in a world of 8 shot arrays a lot of the time.  To draw a parallel to military aviation, a friend once told me that flying a modern fighter jet meant that when you took off, you were basically out of gas, and when you landed you were REALLY out of gas.  Shooting a revolver in USPSA is a lot like that inasmuch as when the string of fire starts, you need to reload, and by the time you’re done shooting you’ve probably reloaded 437 times for that one stage.

Now, this tip doesn’t apply if you’re not already shooting mostly a-zone hits at speed – if you’re not doing that yet, then focus on accuracy and trigger discipline first.  But if you’ve got the shooting portion of the game pretty well in hand, spending a lot of time focusing on your reloading skills is going to give you a good payoff in improving your times.  Especially focus on reloading on the move with your revolver; if you’re in a USPSA stage and you’re moving and not shooting, you need to be loading.  The goal should be to have the revolver loaded, cylinder closed and ready to shoot by the time you reach your next shooting position.

Again though, don’t practice reloading at the expense of your regular practice.  Rather incorporate static reloads though the use of training drills and moving reloads into your regular practice.  I try to get 10-20 “clean” (no fumbles) reloads into every practice session I do.  A good way to do this is that every time you administratively juice up your gun, load in the manner that you would during a match, focusing on good technique and control.

I’m not saying that you’ll be Jerry Miculek fast, but tuning up your reloads is a sure fire way to make any COF (Course of Fire; Ed.), be it IDPA, USPSA, or ICORE go quite a bit faster.

About our Guest Blogger Caleb makes his home with his wife in Indiana where he is a competitive shooter. Caleb is an active blogger as well as the host of Gun Nuts Radio.

February 12, 2010

Filed under: Competitive Shooting, E-Postal Matches — Tags: , — CTD Blogger @ 3:10 PM    Delicious Digg Reddit YahooBuzz

Snow is still on the ground, but spring is fast approaching, and with spring comes shooting matches! Don’t have a match near you? No problem! Cheaper Than Dirt! is teaming up with Mr Completely to host a series of E-Postal matches where you can compete with whatever gun you have, whether it’s an airgun, a rifle, or a pistol. Each match is hosted by a different gun blogger who will create their own target and set out the rules and procedure for shooting it. Simply print out the target and the rules for that match and head out to your local range!

I’ll let Mr Completely explain the rest:

The e-Postal match series is starting up on the 1st. of March, and the first match will be hosted right here by yours truly. We will have one match a month clear through next November.

For those of you unfamiliar with the e-Postal match series, here’s how it works: Each month a different gun blog will host the match. The host will think up the target and make it available for download. You can usually expect something challenging, harder than it looks, and more often than not like something you’ve never seen before! In short, lots of fun!

The rules and course of fire will be on the host’s blog. You download the target, print out the rules, and head out to the range. After shooting the targets, you either scan them, or take a digital picture of them, and email them to the e-Postal match host. Once the match is closed, the host will tabulate the scores and post them on the host’s blog. What do you win? Nothing but bragging rights, so that tends to keep everyone honest!

However, this year we have a big surprise! Cheaper Than Dirt (You DO follow their website for good ammo prices, accessories, their blog, and a ton of other resources, don’t you?) has generously donated a $50 gift certificate to each month’s e-Postal match, to be awarded by random drawing to one of that month’s entrants. Still no incentive to fudge on your scores, but quite an incentive to send in several entries, each shot with a different gun, of course!

All the details will be with the rules on the first match of the year, coming up right here in a few weeks.

Mr. Completely makes his home on Whidbey Island in Northwest Washington with his wife and fellow blogger, KeeWee, and their rabbit “Bun”. He organizes the annual Gun Blogger Rendezvous in Reno, Nevada, and also runs regular e-postal matches coordinated with other bloggers.

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